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The Ecstasy of Influence

Nonfictions, Etc.

Audiobook
1 of 1 copy available
1 of 1 copy available
What’s a novelist supposed to do with contemporary culture? And what’s contemporary culture sup­posed to do with novelists? In The Ecstasy of Influence, Jonathan Lethem, tangling with what he calls the “white elephant” role of the writer as public intellectual, arrives at an astonishing range of answers.

A constellation of previously published pieces and new essays as provocative and idiosyncratic as any he’s written, this volume sheds light on an array of topics from sex in cinema to drugs, graffiti, Bob Dylan, cyberculture, 9/11, book touring, and Marlon Brando, as well as on a shelf’s worth of his literary models and contemporaries: Norman Mailer, Paula Fox, Bret Easton Ellis, James Wood, and oth­ers. And, writing about Brooklyn, his father, and his sojourn through two decades of writing, Lethem sheds an equally strong light on himself.
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  • Reviews

    • AudioFile Magazine
      Author Jonathan Lethem pairs with Mark Deakins, whom Lethem calls his favorite narrator, in an excellent rendition of this sprawling, sometimes plodding, oftentimes sublime collection of essays, introductions, and reviews. A collection of "occasional pieces" is by nature a ragtag form. This one has a central theme--cultural influences--and the range and disparity of subjects are in this case a virtue. Lethem's and Deakins's voices are highly compatible, and you might not notice the difference except that Deakins's is more polished and steady, Lethem's more natural and more true to the text. There are excellent pieces on James Brown, Bob Dylan, and Lethem's central theme of plagiarism and "sampling," in which he shows once again the novelist's ability to open and shape our outlook. D.A.W. (c) AudioFile 2012, Portland, Maine
    • Publisher's Weekly

      Starred review from August 22, 2011
      Novelist Lethem’s collection of new and previously published works is embedded with cultural influences; particularly prominent is Norman Mailer’s 1959 Advertisements for Myself, which functions like a template for this compendium of obscure writings, liner notes, book introductions, memoir, early unpublished fiction, and even blog bits. The title essay, which first appeared in Harper’s in 2007, is a “collage text” in which Lethem borrows the words of others, from T.S. Eliot and Muddy Waters to Disney films, creating a commentary on plagiarism, allusions, and appropriation. Lethem writes: “Art is sourced. Apprentices graze in the field of culture.” Like Mailer, self-exposure commentaries are interleaved throughout, and Mailer’s notorious “Evaluations: Quick and Expensive Comments on the Talent in the Room” gives Lethem a springboard for evaluations of writers: J.G. Ballard, Paula Fox, Shirley Jackson, and especially the cosmic consciousness of Philip K. Dick, a major influence on Lethem. In a tsunami of literary and cinematic references, familiar and obscure, Lethem easily rises to the surface as a brilliant, incisive essayist who loves to sing the body eclectic.

Formats

  • OverDrive Listen audiobook

Languages

  • English

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