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The Remaking

A Novel

ebook
2 of 2 copies available
2 of 2 copies available
From Clay McLeod Chapman, “the twenty-first century’s Richard Matheson” (Richard Chizmar), comes an “original and chilling” (Buzzfeed) ghost story that follows the legend of the Witch Girl of Pilot’s Creek as it evolves every twenty years—with haunting results.
In the 1930s, Ella Louise and her daughter Jessica are dragged from their home at the outskirts of Pilot’s Creek, Virginia. Ella Louise is accused of witchcraft, and both are burned at the stake. Ella Louise’s burial site is never found, but the little girl has the most famous grave in the South: a steel-reinforced coffin surrounded by a fence of interconnected white crosses.
But if the mother was the witch, why was the little girl’s grave so tightly sealed? 
This question fuels a legend told around a campfire in the 1950s by a man forever marked by his encounters with Jessica. Twenty years later, a boy at that campfire will cast Amber Pendleton as Jessica in a ’70s horror movie inspired by the ghost story. Amber’s experiences on the set and its ’90s remake will ripple through pop culture, ruining her life and career after she becomes the target of a witch hunt.
Now, Amber’s best chance to break the cycle of horror comes when a popular true-crime investigator tracks her down for an interview. But will this final act of storytelling redeem her—or will it bring the story full circle, ready to be told once again?
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    • Kirkus

      August 1, 2019
      After a mother and her daughter are murdered, their legacy evolves into a ghost story that haunts generations. Horror on film is relatively easy: jump scares, gore, the occasional torture porn, and always the final girls. Horror in fiction is a little trickier, but occasionally you get something special like Mark Z. Danielewski's puzzle box, House of Leaves (2000), John Ajvide Lindqvist's Let the Right One In (2007), or, more recently, Josh Malerman's runaway hit Bird Box (2014). Chapman's (Nothing Untoward, 2017, etc.) spooky story solidly fits the mold of nothing you've ever read before. The book is divided into quarters, each entirely original yet always connected and deeply unnerving. The opener finds an old coot recounting the story of a woman named Ella Loise Ford, known to the small town of Pilot's Creek, Virginia, to be a witch. The men in the town don't take kindly to this, and in 1931, they set the woman ablaze, along with her young daughter, Jessica, whose resting place would become the legend known as "The Witch Girl's Grave at Pilot's Creek." Jump forward to 1971, and their story is being made into a B-quality horror film directed by an obsessive filmmaker and starring a young ingénue named Amber who discovers these terrifying woods hold much more than just rumors. By the mid-1990s, Amber, now a burned-out, Klonopin-addicted scream queen, takes over the story to recall her role in an ill-fated remake of the cult classic that nearly killed her. By the modern day, there's yet another shift, as a budding podcaster named Nate Denison tracks down an aged Amber to discover what's really waiting out there in the woods. Something like Stephen King's imperfect masterpiece The Shining (1977), this book is not always completely coherent, but it's a deeply eerie and evocative portrayal of what it's like to stare into the abyss and find something there waiting for you. A memorable, disquieting ghost story about stories, rendered inside a Möbius strip.

      COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      September 15, 2019
      "The Witch Girl of Pilot's Creek" is an urban legend based on Ella Louise Ford and her daughter Jessica, who in 1931 were blamed when a baby was stillborn after the mother took one of Ella's herbal remedies, and were burned as witches. The townsmen buried Ella in the woods and then buried Jessica under six feet of concrete in a grave surrounded by crosses. Locals say that Jessica rises from the grave on the anniversary of her death. When a former resident comes home to make a film based on Jessica's story, he unleashes a series of events that show why it's best to leave ghosts alone. His horror film becomes a cult classic, trapping the actress who plays Jessica in that role. Decades later, a remake is planned and she is called out of obscurity to star as Ella. Jumping through time from the 70s to the 90s to 2016, Chapman slowly builds the tension and frights. As both a novel of psychological terror and a traditional ghost story, this short, chilling read is recommended for all collections.(Reprinted with permission of Booklist, copyright 2019, American Library Association.)

    • Kirkus

      August 1, 2019
      After a mother and her daughter are murdered, their legacy evolves into a ghost story that haunts generations. Horror on film is relatively easy: jump scares, gore, the occasional torture porn, and always the final girls. Horror in fiction is a little trickier, but occasionally you get something special like Mark Z. Danielewski's puzzle box, House of Leaves (2000), John Ajvide Lindqvist's Let the Right One In (2007), or, more recently, Josh Malerman's runaway hit Bird Box (2014). Chapman's (Nothing Untoward, 2017, etc.) spooky story solidly fits the mold of nothing you've ever read before. The book is divided into quarters, each entirely original yet always connected and deeply unnerving. The opener finds an old coot recounting the story of a woman named Ella Loise Ford, known to the small town of Pilot's Creek, Virginia, to be a witch. The men in the town don't take kindly to this, and in 1931, they set the woman ablaze, along with her young daughter, Jessica, whose resting place would become the legend known as "The Witch Girl's Grave at Pilot's Creek." Jump forward to 1971, and their story is being made into a B-quality horror film directed by an obsessive filmmaker and starring a young ing�nue named Amber who discovers these terrifying woods hold much more than just rumors. By the mid-1990s, Amber, now a burned-out, Klonopin-addicted scream queen, takes over the story to recall her role in an ill-fated remake of the cult classic that nearly killed her. By the modern day, there's yet another shift, as a budding podcaster named Nate Denison tracks down an aged Amber to discover what's really waiting out there in the woods. Something like Stephen King's imperfect masterpiece The Shining (1977), this book is not always completely coherent, but it's a deeply eerie and evocative portrayal of what it's like to stare into the abyss and find something there waiting for you. A memorable, disquieting ghost story about stories, rendered inside a M�bius strip.

      COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

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