NYPD cops E. L. Oxman and Art Tobin, who hunted a serial killer in The Eye, are back with what may be their most bizarre case yet.
Shadowtown is the hottest soap opera in the country, even after the most popular character—a vampire—is killed off. The writers had little choice after the accidental death of the actor who played him. But now a real-life villain wearing the TV vampire's cape has committed murder, slaying a former New York cop who was working as a night watchman on the show's soundstage.
Meanwhile, actress Lana Spence, who portrays a femme fatale on the soap—and has ruined a few careers—has been receiving death threats for months. Could the murder and the nasty missives be related? Oxman and Tobin must sort through a cattle call of suspects to shine a spotlight on a crazed killer hiding in the shadows . . .
New York Times– and USA Today–bestselling author John Lutz has been called "a major talent" by John Lescroart and "one of the masters" by Ridley Pearson. "Lutz offers up a heart-pounding roller coaster" (Jeffery Deaver) in his thrillers and "knows how to make you shiver" (Harlan Coben). Once again, he delivers an electrifying murder mystery that will keep you riveted until the last page.
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Creators
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Series
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Publisher
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Release date
June 5, 2018 -
Formats
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Kindle Book
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OverDrive Read
- ISBN: 9781504051835
- File size: 3129 KB
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EPUB ebook
- ISBN: 9781504051835
- File size: 3305 KB
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Languages
- English
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Reviews
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Publisher's Weekly
October 1, 1988
Shadowtown is named after a soap opera of which the most popular character had been a vampire. He was ``killed off'' by the writers after the actor who played him died in an accident. Now, however, someone has stolen the vampire's caped costume and is killing people associated with the soap, including a security guard on the set. New York cops E. L. Oxman and Art Tobinintroduced in The Eye check out actors around town for clues. Many of them, it seems, have had their careers ruined by the soap's femme fatale, Lana Spence (who is herself a recipient of death threats). It's a bewildering case, but the plot moves with no more speed than a typical soap. And while Oxman and Tobin are well portrayed, the other characters are no more dimensional than their soap opera counterparts. Predictably, this does not make for an intriguing read.
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