The Best American Science Fiction and Fantasy 2018

Starred review from September 24, 2018
An almost unheard-of diversity of tales absolutely sing in this superlative anthology of short speculative stories. Encompassing a wide range of styles and perspectives, the book swings gracefully from thoughtful superhero SF (“Destroy the City with Me Tonight” by Kate Alice Marshall) to nuanced horror based on Congolese mythology (“You will Always Have Family: A Triptych” by Kathleen Kayembe) to musings on the justice and the multiverse (“Justice Systems in Quantum Parallel Probabilities” by Lettie Prell) without a single sour note. A. Merc Rustad contributes “Brightened Star, Ascending Dawn,” a heartfelt piece about sentient spacecraft and found family, and Caroline M. Yoachim delves further into ideas of family and obligation with the windup characters of “Carnival Nine.” From the Chinese afterlife (“The Last Cheng Beng Gift” by Jaymee Goh) to a future of cyborgs run amok (“The Greatest One-Star Restaurant” by Rachael K. Jones), this anthology delivers. Agent: Seth Fishman, Gernert Company.

Starred review from August 23, 2021
Roth (Chosen Ones) balances Earth- and space-based futures in this superior anthology of 20 sci-fi shorts. Several of the most powerful tales use current societal preoccupations to sketch alarming possible consequences. In “The Pill,” Meg Elison imagines that Big Pharma has developed a medication that can eliminate obesity and thoughtfully examines the dystopian effects of a society where choosing to remain overweight becomes a liability—and what happens to those whose lives aren’t really changed by the drug. Karin Lowachee’s “Survival Guide” explores what happens to students taught by an A.I. neural network that seems to improve comprehension but may be turning them into docile sheep in the process. And a devastating disease tests medical ethics in Karen Lord’s timely “The Plague Doctors.” The high point of the extraterrestrial entries, meanwhile, is Gene Doucette’s “Schrödinger’s Catastrophe,” in which a spaceship wanders into a section of the universe governed by different laws of physics. With these phenomenal selections, Roth nimbly demonstrates the genre’s continued potential for rich ideas.

Starred review from August 26, 2019
For this fifth anthology of outstanding American genre fiction, series editor Adams is joined by guest editor Machado, who winnowed down 80 contenders into 20 finalists, 10 each from the U.S. and Canada. Machado’s selections lean toward the experimental, the literary, and the boundary-pushing. Standouts include Annalee Newitz’s “When Robot and Crow Saved East St. Louis,” in which a drone befriends both humans and crows to combat inner-city epidemics; LaShawn M. Wanak’s “Sister Rosetta Tharpe and Memphis Minnie Sing the Stumps Down Good,” an alternate history piece in which singers are pressed into service against deadly spores; Sarah Gailey’s “STET,” which explores grief through the form of a scientific paper; Lesley Nneka Arimah’s “Skinned,” a provocative piece about the role of women in a patriarchal African society; Sofia Samatar’s “Hard Mary,” in which Amish-like girls adopt a broken android; and P. Djèlí Clark’s introspective history piece, “The Secret Lives of the Nine Negro Teeth of George Washington.” Despite the “American” label, there’s a decidedly global, multicultural feel to these pieces, which exemplify diversity and representation. As Machado says in her introduction, “Here you will find an undeniable bias towards the use of formal constraints, vibrant and muscular prose, ambitious weirdness.” In exploring the potential of the genre and challenging expectations, this anthology isn’t for everyone, but it’s a masterful showcase of what’s possible.

Starred review from December 1, 2018
Jemisin, the latest guest editor for this series, has chosen stories with themes similar to the ones that appear in her own short story collection, How Long 'til Black Future Month? (2018).As Jemisin notes in the introduction, primary among those themes is revolution. Most of these authors express that theme as the battle for bodily and spiritual autonomy. Zombie soldiers surrender their bodies and wills during brutal military operations in Peter Watts' "ZeroS." Charlie Jane Anders offers a sadly relevant tale about a brutal conversion "therapy" for transgenders involving the transfer of consciousness to corpses. A. Merc Rustad riffs on Anne McCaffrey's The Ship Who Sang with a tale of a cyborg starship resisting the oppressive government that created her. In Caroline M. Yoachim's lovely "Carnival Nine," a society of windup toys tries to make the most of its limited range of motion and lifespan. Kathleen Kayembe is both fascinatingly creepy and heartbreaking in a story of an angry dead twin occupying his brother's corpse. Micah Dean Hicks explores the lonely ever after of the youngest prince in the fairy tale "The Six Swans," who longs for his former existence as a bird. Sometimes the story's theme is intermingled with another favorite Jemisin motif, food, as in a painfully grotesque tale by Rachael K. Jones, in which rebellious cyborgs masquerading as a spacefaring restaurant must cannibalize themselves for entrees. These are stories of accepting one's true self and rejecting what others would make of you. Sometimes one must transform to escape, but the essence remains.The stories in this collection will leave the reader mournful, angry, and inspired.

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