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Game of Freedom

Mestre Bimba and the Art of Capoeira

Audiobook
1 of 1 copy available
1 of 1 copy available
A meia lua whooshed in the air. The strike was evaded and followed with an aú. Two young men were playing capoeira in the middle of the roda. Bimba wanted to play too. Although it is debated when and where capoeira—an art form that blends martial arts, dance, acrobatics, music, and spirituality—originated exactly, one thing is certain: in the early 20th century, Brazil was the only country in the world where capoeira was played, and it was mainly practiced by people of African descent. In 1890, two years after Brazil officially abolished slavery, the game was outlawed. Wealthy, lighter-skinned society feared and looked down on capoeira, seeing it as a game for malandros—what people in power called the poor Black communities they disdained. But in the early 1920s in the city of Salvador, a man called Bimba would advocate for capoeira, and those who practiced it, to be treated with dignity and the respect it deserved. Inspired by pre-Columbian codices, Duncan Tonatiuh tells the story of arguably the greatest capoeirista of all time, who fought to turn a misunderstood, persecuted Afro-Brazilian activity into a celebrated art practiced by millions around the world.
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    • Publisher's Weekly

      October 2, 2023
      This movement-filled biography about Brazilian capoeira mestre Bimba (1899–1974) begins with his youth in Salvador, Brazil, where he’s taken with the combination of “music, fighting, theatrics, and dance.” Practiced by Black men who are, like Bimba, descendants of Africans enslaved by the Portuguese, capoeira is disdained by “predominantly white” authorities, who outlaw playing it in the streets, beating and incarcerating the capoeiristas they catch. To reduce stigma against capoeira, Bimba develops his own form, called regional, which he opens a school to teach in 1932. Through rigorous teaching and official competition, Bimba slowly raises the profile of regional until capoeira is not only decriminalized but also declared by Brazilian president Getúlio Vargas “the only truly national sport.” Tonatiuh’s signature-style illustrations employ fluid motion to simulate capoeira’s graceful acrobatics, while lengthy informative text conveys the history of Bimba and of the once-persecuted Afro-Brazilian cultural expression. An author’s note and glossary conclude. Ages 4–8.

    • AudioFile Magazine
      Andr Santana artfully re-creates Brazil in the 1920s as he introduces capoeira, a blend of martial arts, dance, acrobatics, music, and spirituality. Listeners meet Salvador Bimba, who advocated for capoeira. Santana enthusiastically delivers lyrical descriptions accompanied by spirited background music, with Indigenous and Portuguese words adding atmosphere. Heartbreaking histories recall the lives--and deaths--of enslaved people who brought capoeira from Africa. Most moving is the revelation that Bimba performed for the president of Brazil in 1952. In 2014 UNESCO honored capoeira for promoting social integration and for representing the people's struggles against oppression. Audio is crucial for the outstanding glossary, which includes wonderful demonstrations of pronunciations and accounts of each word's history. S.G.B. Winner of AudioFile Earphones Award © AudioFile 2024, Portland, Maine

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  • English

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